Review: ‘French Exit’ is a tipsy reunification with an old friend
In French Exit, a cynical heiress plans to kill herself once all her husband’s money runs out, and this woman…
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Review: ‘Godzilla vs. Kong’ offers peeks at personality
Warner Bros. made the big monster fight the big ape and spent $200 million doing it, so the brawl better…
Read MoreReview: There’s not a lot going on inside ‘Chaos Walking’
It’s easy to see what initially attracted Charlie Kaufman to Chaos Walking. The filmmaker behind Eternal Sunshine of the Spotless…
Read MoreReview: ‘Raya and the Last Dragon’ is mildly fun zaniness
Did you know Anna and Elsa aren’t technically considered “Disney Princesses”? The Frozen franchise is so bankable on its own…
Read MoreReview: ‘Minari’ is as epic and delicate as a sunset
Reviewing Minari is like explaining the sunset. I could explain at length how molecules and particles in the atmosphere affect…
Read MoreReview: It’s hard to look away from ‘Saint Maud’
Saint Maud was one of the most promising films of early 2020. A grim, psychological horror where the evil is…
Read MoreColson Baker makes directorial debut with ‘Downfalls High’
Colson Baker — aka Machine Gun Kelly — kicked off 2021 with his directorial debut, the 49-minute musical film Downfalls…
Read MoreReview: The conflicts in ‘Pieces of a Woman’ are many
Pieces of a Woman is the English-language debut of Kata Wéber and Kornél Mundruczó, the Hungarian writer-director team behind White…
Read MoreReview: Mulligan shines in ‘Promising Young Woman’
There’s a reason the rape-revenge genre is so straightforwardly named. When you’re dealing with such distressing violence, blindsiding the audience…
Read MoreReview: ‘Wonder Woman 1984’ offers some good stuff
Wonder Woman was a treat, wasn’t it? It’s truly special when a blockbuster can tap into something universal. After its…
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