Review: ‘Minari’ is as epic and delicate as a sunset
Reviewing Minari is like explaining the sunset. I could explain at length how molecules and particles in the atmosphere affect…
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Review: It’s hard to look away from ‘Saint Maud’
Saint Maud was one of the most promising films of early 2020. A grim, psychological horror where the evil is…
Read MoreColson Baker makes directorial debut with ‘Downfalls High’
Colson Baker — aka Machine Gun Kelly — kicked off 2021 with his directorial debut, the 49-minute musical film Downfalls…
Read MoreReview: The conflicts in ‘Pieces of a Woman’ are many
Pieces of a Woman is the English-language debut of Kata Wéber and Kornél Mundruczó, the Hungarian writer-director team behind White…
Read MoreReview: Mulligan shines in ‘Promising Young Woman’
There’s a reason the rape-revenge genre is so straightforwardly named. When you’re dealing with such distressing violence, blindsiding the audience…
Read MoreReview: ‘Wonder Woman 1984’ offers some good stuff
Wonder Woman was a treat, wasn’t it? It’s truly special when a blockbuster can tap into something universal. After its…
Read MoreReview: ‘Soul’ is an appreciably mournful entry from Pixar
“You haven’t cried enough this year!” threatened Pixar, dropping a movie at the tail end of 2020. “Yes, we definitely…
Read MoreReview: Chadwick Boseman shines in ‘Ma Rainey’s Black Bottom’
Ma Rainey’s Black Bottom, an adaptation of the August Wilson play of the same name, is the final film appearance…
Read MoreReview: Twists and turns work well in ‘I’m Your Woman’
Wives in crime films have had a notoriously rough go of it. Just ask Kay Adams, wife of Mafia don…
Read MoreReview: Murphy’s ‘The Prom’ is a miscalculation
A musical! A musical’s the thing! A glitzy, upbeat production full of elaborate dance numbers and positive vibes—that’s the cure…
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