Honk for Jesus. Save Your Soul. may sound like a faith-based film, but don’t worry—it’s not here to preach! It’s a mockumentary/comedy-drama about a megachurch pastor and his wife staging…
George Miller’s Three Thousand Years of Longing is unlike anything he’s done before, which is in and of itself a feat—the man’s directed everything from Mad Max to Babe: Pig…
Eagle-eyed viewers may notice that Bullet Train, a Japan-set adaptation of a Japanese novel, has a shortage of Japanese characters. That’s no accident, obviously and unfortunately. Attempting to rationalize this…
Resurrection finds Rebecca Hall at her most psychologically fraught, which is to say that a knockout performance is guaranteed. In the vein of The Gift and The Night House, Hall…
In many ways, Thor: Love and Thunder is the MCU’s most simply enjoyable movie in years. It’s (relatively) self-contained, light on the heavy stuff, and as small-scale as the gods…
Love is a fickle thing—unless love is happening in 19th-century England, in which case it’s entirely predictable and nearly always ends the same. The Victorian/Regency-era romance genre is notoriously unadventurous.…
It’s 150 degrees outside (fine, only 120), gas might as well be $10 per gallon and you’ve already binged every imageable streaming series. What is a Valley-dweller to do? Well,…
Elvis opens on Tom Hanks, donned in the least believable fat suit you’ve ever seen, sneering in a venomously outsized accent that he’s not “the villain of this here story”…
Just before the studio logos, Lightyear tells us we’re seeing Andy of Toy Story’s favorite movie, begging an unsettling question: does Disney exist in the Toy Story universe? Does Andy…
When Disney was drumming up buzz for Chip ‘n Dale: Rescue Rangers, some suit described it as “meta, something self-referential and cool,” instantly outing the project as corporate and uncool.…
Whoever suggested that Marvel revive the Sam Raimi Spider-Man characters is perfecting their backstroke through hundred-dollar bills right now, so it’s only natural that the studio would bring Raimi himself…
The films of Robert Eggers are junctures of myth and reality, each in its own way. The Witch is a slow-burn reveal that its myth is real, and The Lighthouse…
